| Album Title: | Billie's Blues | ![]() |
|---|---|---|
| Albumcode: | Delta 46122 | |
| Year: | 2000 | |
| Mediumtype: | ||
| # Tracks: | 10 | |
| Total Time: | 0h26'36" | |
| Relevance: | 2,9 |
| No: | Tracktitle | Date: | Type | Matrix: | Label | Time |
|---|---|---|---|---|---|---|
| 1 | Lover man (oh, where can you be?) | 1944-Oct-04 | MT | 72404-A | Decca 23391 / AJ504 / Everest FS-265 | 3'18" |
| 2 | Don't explain | 1945-Aug-14 | MT | W73006-A | Decca 23565 / AJ504 / Everest FS-265 | 3'24" |
| 3 | God bless the child | 1950-Mar-08 | MT | L5416-A | Decca 24972 / AJ504 | 3'10" |
| 4 | (I love you) Porgy | (1959-Feb-24?) | TV | - | LDB.22 / JUTB 3046 / RJD 508 | 3'05" |
| 5 | Billie's blues (I love my man) | (1956-Aug-13?) | TV | - | CAL-303 / LDB.16 / JUTB 3043 | 1'30" |
| 6 | Moonlight in vermont | 1955-Aug-22 | REH | - | Paramount PAS 6069 / LDB.14 / Verve 517 658-2 | 2'01" |
| 7 | Strange fruit | (1959-Feb-24?) | TV | - | LDB.22 / JUTB 3046 / RJD 508 | 2'54" |
| 8 | Please, don't talk about me when i'm gone | (1959-Feb-24?) | TV | - | LDB.22 / JUTB 3046 / RJD 508 | 2'27" |
| 9 | You're driving me crazy | (1951-Oct-28?) | LR | - | Dale LP 25 / Everest FS-265 / LDB.07 / JUTB 3038 | 1'30" |
| 10 | I got it bad (and that ain't good) | 1955-Aug-22 | REH | - | Paramount PAS 6069 / LDB.14 / Verve 517 658-2 | 3'17" |
| # | Coverage | Session | Location | Band |
|---|---|---|---|---|
| 65 | 33 | 1944-Oct-04 | New York City, 50 West 57th Street, Decca Studio's | Billie Holiday with Toots Camarata Orchestra |
| 70 | 25 | 1945-Aug-14 | New York City, 50 West 57th Street, Decca Studio's | Billie Holiday accompanied by Bob Haggart Orchestra |
| 102 | 50 | 1950-Mar-08 | Hollywood, 5505 Melrose Avenue | Billie Holiday and her Orchestra |
| 108 | 12 | 1951-Oct-28 | Boston, Storyville Club, Copley Square Hotel | Storyville Club, Boston |
| 134 | 5 | 1955-Aug-22 | Los Angeles, Artie Shapiro's home | Rehearsal |
| 143 | 14 | 1956-Aug-13 | Hollywood, Los Angeles, Stars of Jazz (TV) | Stars of Jazz (TV) |
| 177 | 75 | 1959-Feb-24 | London, Chelsea Palace Studios | Max Waldron and Peter Knight Orchestra |